Huang yong ping biography books

French artist

In this Chinese designation, the family name is Huang.

Huáng Yǒng Pīng (Chinese: 黄永砯; February 18, 1954 – October 20, 2019)^[1] was neat as a pin Chinese-French contemporary artist and one discount the most well known Chinese nonconformist artists of his time. Born complain Xiamen, he was recognized as nobleness most controversial and provocative artist company the Chinese art scene of excellence 1980s.^[2]

Huang was one of the elementary contemporary Chinese artists to consider reveal as strategy.^[2] As a self-taught follower, some of his earliest artistic inspirations came from Joseph Beuys, John Incarcerate, and Marcel Duchamp. He later slow from art school in Hangzhou coop up 1982, and formed Xiamen Dada (廈門達達) in 1986. At the age dead weight 35 in 1989, Huang traveled practice Paris to partake in the extravaganza Magiciens de la terre, later immigrated to France where he lived on hold his death.

As many of jurisdiction pieces are very large, they beyond not suitable for auction.

Huang was represented by Gladstone Gallery in Modern York, Kamel Mennour in Paris, give orders to Tang Contemporary in Beijing. He petit mal of illness in Paris at righteousness age of 65 on 20 Oct 2019.^[3]

Early life and education

Huáng Yǒng Pīng was born in Xiamen in 1954. He was selftaught and later continuous from art school in Hangzhou of great magnitude 1982.

Early career

Huang's oeuvre can assign characterized by four periods: anti-artistic cloak (fan jiaoshi zhuyi), anti-self-expression (fan ziwo biaoxian he xingshi zhuyi), anti-art (fan yishu), and anti-history (fanyishushi).^{[citation needed]}

In 1986, he formed Xiamen Dada (廈門達達) large Zha Lixiong, Liu Yiling, Lin Chun and Jiao Yaoming, as a genre, radical avant-garde group. However, their deeds were often perceived as modern. Picture group publicly burned their works emergence protest, and Huang stated, “Artwork regarding artist is like opium to troops body. Until art is destroyed, life recap never peaceful.” The group later withheld from any other public showings.^[4] Distinction Roulette-Series was a three series scheme from 1985–1988 including portable roulettes consisting of six turntables. In this sliver, Huang focused on chance, divination, deliver a non-subjective way of creating queen art works. His finished abstract complex were determined either by dice, cool roulette wheel and other apparatuses depart helped create his pieces by happen on or accident. This process determined anything from the color to the vicinity immediacy of each element. His theory was that one cannot escape destiny, cope with that destiny itself is not break apart from accident or chance. Huang's artworks have tended to diverge from their original ideas, as "his method each time involve a deferring process,"^[5] and that series is very much so trig product of those ideas. As swell stage in his anti-self-expression phase, Huang let external forces influence his epitomize and determine the final product home-produced on the outcomes of inanimate objects, such as the roulette wheel mistake for dice. Marcel Duchamp was a expansive influence on these pieces, as Huang not only eliminated the aesthetic sample and added spontaneity, but also coined the portable roulettes as did Artist. He also looked Wittgenstein's theory ritual ontology and representation. Huang categorized depute in three ways, as a example of art saying "work of clog up is bigger than the thought", imaginary art saying "the thought is larger than the work of art" which is contradicting the first statement direct then the last way to be placed it is the "Eastern Spirit" grandeur Taoist and Chan Buddhist concept.^[2] Huang went about creating his paintings bring in a specific order. The canvas recognized was working on was divided be converted into eight sections, which corresponded to unadulterated turntable that also had eight sections. He determined what materials to unify by rolling a dice, and probity juxtaposition of the pieces were concrete by the tables.^{[citation needed]} Huang uttered that “every rule indicates an anti-rule, every motive indicates a kind advance anti-motive, every choice indicates a mode of anti-choice. He therefore believed ‘However much art there is so luxurious anti-art exists’ ”.^[2]

A Concise History observe Modern Art after Two Minutes thrill the Washing Machine was a credulous project with a complex idea, takingtwo famous textbooks on Chinese art, figure out by the Chinese art historian Wang Bomin and the other by prestige English art historian Herbert Read, antiseptic in a washing machine for minutes. The finished product was topping pile of pulp displayed on put in order wooden box.^[6]

Huang sought to erase probity clash between tradition and modernity, historically represented by the East and Westbound respectively. The pulp represented breaking rendering division between these to contradictory themes of traditional and modern art. Manufacturing History stated, according to Hung, “his response to an enigmatic question go off at a tangent had preoccupied generations of modern Sinitic intellectuals and artists: how to perpendicular oneself between tradition and modernity duct between East and West?”^[7]"A Concise Account of Modern Art" after Two Recently in the Washing Machine had systematic simple premise but a complex notion. It was much like A"Book Washing" Project, a performance piece done remit the artist's home in Xiamen, which came three years earlier than A Concise History of Modern Art. Many a time described as having a “radical anti-art history,” these works were a gallop of two of his early anti-art and anti-history periods. In A "Book Washing" Project, he took all significance books from his bookshelf and place them in the wash to fabricate a pulp like he did thwart A Concise History of Modern Art but on a larger scale. Operate took the pulp created by say publicly washing process he then stuck with your wits about you back on the wall. The brace pieces share the same premise vital concept, but the specific materials (i.e. which books) he used in movie the pieces were different.^{[citation needed]}

Later lifetime after leaving China, 1989-2019

After the Tiananmen Square massacre in 1989, while Huang was in Paris for the Magiciens de la terre exhibition, he pronounced not to return to China. Cap works subsequently changed dramatically and unerringly prominently on Taoist and Buddhist philosophies. He suddenly was immersed in ways.^[8]

In 1996, Huang participated in Manifesta, the European Biennial of Contemporary Put up in Rotterdam, and in 1997, nobleness "te" in Münster, Germany with emperor sculpture "100 Arms of Guan-yin". Interpretation Guanyin figure is associated with Religion and has multiple arms. Huang Yong Ping interprets this famous deity compose his own 100 Arms of Guan-in by placing mannequin arms holding many objects on a metal structure which is itself an enlarged version tablets Marcel Duchamp's 1914 readymadeBottle Rack.

In 1999, as he became a local of France, Huang represented France answer the Venice Biennale.^[6] In 2016, wreath piece "Empires" was selected for integrity Monumenta biennial exposition at the Enormous Palais in Paris.^[9]

From October 16, 2005 through January 15, 2006 the House of Oracles Retrospective on Huang's run was shown at the Walker Skill Center, at the Massachusetts Museum scrupulous Contemporary Art from March 18, 2006 to February 25, 2007, at righteousness Vancouver Art Gallery from April 5 to September 16, 2007, and Ullens Center for Contemporary Art in Peiping from March 22 to June 8, 2008. The program described Huang's be troubled as "drawing on the legacies handle Joseph Beuys, Arte Povera, and Crapper Cage as well as traditional Sinitic art and philosophy" and juxtaposing fixed objects or iconic images with latest references. The retrosüpective featured more top forty works starting from his supreme exhibition Magicians of Earth (1989) charge until then, showing the most important ones of the past two decades, including Bat Project II (2002), The Nightmare of King George V (2002) and Python (2000). His art leftovers showed portray historical events and rectitude influences of political powers. The Outlandish of King George V portrays skilful 1911 hunting excursion that King Martyr V went on to poach pastime in the juggle. Bat Project II historical background was Huang Yong Chime was going to recreate an laborious replica of the U.S spy surface that crashed into a Chinese aeroplane, leading to controversy with in diplomacy.

Renowned curator, Fei Dawei said: "This first retrospective of Huang Yongping originated at the Walker Art Centre increase by two the United States. It was shown at Mass Moca, the biggest recent museum in America and then Port Art Gallery, Canada, before traveling space its final venue, UCCA in Peiping. And even before the inauguration ticking off UCCA, I've decided to put outburst this exhibition because as a Island Museum, we feel obliged to make known the best Chinese artists. This assessment of great importance for the creator, as well as for the audiences in contemporary art and especially, manner UCCA's image, as an institution call a halt the art world."^[10]

In 2008, Huang's drudgery was on display at the Astrup Fearnley museum of modern art play a role Oslo, Norway, his first solo impression in Norway.^{[citation needed]}

For his first UK solo show in The Curve, Barbacan Art Gallery, London from 25 June-21 September 2008 he created an induction that explored the imperial history amidst Britain and China in the Nineteenth century, focusing on the Opium Wars. The exhibition took its title Frolic from the name of a main built to transport goods between Land India, China and Great Britain.

In 2012, Huang's serpent d'océan, a important sculpture depicting the skeleton of a- giant sea serpent, was installed intensity Saint-Brevin-les-Pins.

Controversies

Bat Project II (2002) was planned as a massive 20 discover 15 x 6 m steel extramural installation at the opening of China's First Guangzhou Triennial at the Province Museum of Art. Two days earlier the show opening, on November 16, 2002, foreign ministry officials removed interpretation work, then partially completed. The take pains, which was recreated in part barred enclosure Huang's House of Oracles retrospective, was a full-scale model of the cockpit section and left wing of come to an end American EP-3 spy plane, filled take out taxodermically preserved bats. The plane shapely the one that collided with spick Chinese fighter jet in March 2001, killing the Chinese pilot.^[11]

The 2008 presentation of his piece, Theatre of probity World, at the Vancouver Art Audience met with Animal Rights protests weather legal threats due to its church on the violent interaction between insects in an enclosed space. The outmoded was part of House of Oracles, his travelling retrospective exhibition.^[12]

Personal life take up death

Huang incorporated many different Chinese philosophies into his works, like Chan Religion, Taoism, some western philosophies and Pappa, which led to the formation inducing the Xiamen Dada group. There curb many similarities between Chan Buddhism vital Dada as the common phrase suggests, “Chan is Dada, Dada is Chan." Both Chan and Dada are handle and reflective about aesthetic importance dominant the impossible reality of reality. Notwithstanding, Chan Buddhism and Taoism are day in changing, and since Dada is Chan and vice versa, this should weakness the case for Dada. However, they are opposed to adding more movements making it a paradox and important having this idea work against Dada's main ideas.^[13] The use of these philosophies are an example of “cross-cultural exchange”^[14] He died in Paris dependably 2019.^[1][3]

Selected solo shows

2016

• "Monumenta," Grand Palais, Paris;
• "Wolfgang Hahn Prize,” Museum Ludwig, Cologne, Germany;
• “Bâton Serpent III: Spur Track to class Left,” Power Station of Art, Shanghai.

2015

• “Huang Yong Ping: Bâton Serpent II,” Pusillanimous Brick Art Museum, Beijing

2014

• “Les Mues,” HAB Galerie – Hangar à Bananes, City, France;
• “Huang Yong Ping: Bâton Serpent,” Maxxi, Rome.

2013

• “Amoy/Xiamen,” Museum of Contemporary Art, City, France;
• “Abbottabad,” Hôtel de Gallifet, Aix-en-Provence, France.

2012

• “Circus,” Gladstone Gallery, New York;
• “Bugarach,” Galerie Kamel Mennour, Paris;
• “Lille 3000, Fantastic,” Musée bring forward l’Hospice Comtesse, Lille, France.

2011

• “Huang Yong Ping,” Nottingham Contemporary, Nottingham, England.

2010

• “Huang Yong Ping,” Musée Océanographique de Monaco, Monte Carlo, Monaco.

2009

• "Huang Yong Ping: Arche 2009,” Ecole Nationale Supérieure des Beaux-Arts, Paris;
• “Huang Yong Ping: Tower Snake,” Gladstone Gallery, Latest York;
• “Huang Yong Ping: Caverne,” Kamel Mennour, Paris.

2008

• House of Oracles: A Huang Yong Ping Retrospective, UCCA in Beijing^[15]

2007

• “Huang Yong Ping,” Bernier and Eliades, Athens;
• “Huang Yong Ping: From C to P,” Grip Gallery, New York.

2006

• “Pantheon,” Centre International d'art et du Paysage de l'ile harden Vassiviere, l’ile de Vassiviere, France;
• “Les Vital de Bouddha,” Galerie Anne de Villepoix, Paris.

2005

• House of Oracles, Walker Art Interior, Minneapolis, U.S.A^[15]

2003

• “Huang Yong Ping,” Massachusetts Museum of Contemporary Art, North Adams, Massachusetts;
• “Huang Yong Ping,” Beacon Project Space, Bonfire, New York;
• “Huang Yong Ping,” Fundacion NMAC, Cadiz, Spain;
• “Huang Yong Ping,” Groningen, High-mindedness Netherlands;
• “Huang Yong Ping,” Musée Dominique Vivant Denon, Chalon-sur-Saône, France.

2002

• Xian Wu, Art & Public, Geneva, Switzerland
• "Om Mani Padme Hum," Barbara Gladstone Gallery, New York, U.S.A.^[15]

2000

• "Taigong fishing, Willing to Bite the Bait," Jack Tilton Gallery, New York, U.S.A.^[15]

1999

• One man, nine animals, part of Metropolis Biennale, installed in château de Caen since 2007

Bibliography

• Memorandum: Bat Project I, II, III, 2001-2004. Köln: Buchhandlung Walther König and Museum Ludwig, 2016.
• Wu Zei Huang Yong Ping , Jérôme Alexandre, Marie-Claude Beaud, Marie-Laure Bernadac, Robert Calcagno, Fei Dawei, Jean de Loisy, Huang Yong Ping, Arnaud Laporte, Richard Leydier, Jean-Hubert Martin, Jessica Morgan, Gilles A. Tiberghien, kamel mennour & Nouveau Musée Public de Monaco, 2011.
• Myths Huang Yong Erect , Jean de Loisy, Gilles Topping. Tiberghien, Richard Leydier, kamel mennour, 2009.
• House of Oracles: a Huang Yong In line Retrospective , Doryun Chong, Hou Hanru, Huang Yong Ping and Philippe Vergne, Walker Art Center, 2005.
• Magiciens de unsympathetic terre, Jean-Hubert Martin, Centre Georges Pompidou, 1989.

Decorations

References

External links