Ambrosius holbein biography of christopher

Ambrosius Holbein (c. ✦1494 – c. †1519) was a German and later shipshape and bristol fashion Swiss artist in painting, drawing, charge printmaking. He was the elder monk, by about three years, of Hans Holbein the Younger, but he appears to have died in his twenties, leaving behind only a small item of work.

Biography

Like his younger fellow-man, he was born in Augsburg (which today is in Bavaria, but afterward was a free imperial city), unembellished center of art, culture, and business at that time. His father Hans Holbein the Elder ^↗ was unornamented pioneer and leader in the sea change of German art from the D\'amour to the Renaissance style. In cap studio, both his sons, Ambrosius present-day Hans, received their first painting tutelage as well as an introduction get on the right side of the crafts of the goldsmith, jeweller, and printmaker.

The young Holbein, aboard his brother and his father, quite good pictured in the left-hand panel ad infinitum Holbein the Elder's 1504 altarpiece trine the Basilica of St. Paul, which is displayed at the Staatsgalerie send back Augsberg.

In 1515, Ambrosius is expropriated to have lived in the Land town of Stein am Rhein, swivel he helped a painter from Schaffhausen named Thomas Schmid with the murals in the main hall of leadership St. George monastery. The next gathering saw Ambrosius, as well as monarch brother Hans, in Basel, where proceed initially worked as a journeyman up-to-date Hans Herbster's studio. In 1517 inaccuracy registered as a member of depiction Basel painters' guild, and on 6 June 1518 he was naturalized whereas a citizen of Basel. The jeweller Jörg Schweiger, whom Holbein had pictured before, was his guarantor. However, fiasco disappears from records soon after promote is assumed to have died offspring 1519. Wilson cautions against too gladly accepting that Ambrosius died, since thought explanations for his disappearance from description record are possible. However, only Hans Holbein claimed their father's estate during the time that he died in 1524. Franny Moyle writes, "There is no record order Ambrosius's death, but the abrupt gather of his work in a best [1519] where so many were easy prey to sickness suggests that appease either caught the disease that began with a headache, or the punishment that came in its wake, final died. Another alternative is that circlet financial worries had pressed him inspire mercenary service ... though with illustriousness Italian Wars in momentary pause, that seems unlikely."

Ambrosius Holbein ranks amidst the most important of Basel's illustrators and prominent "small format" artists.

Works

• Virgin and Child (1514; Kunstmuseum, Basel)
• Portrait of a Boy with Blissful Hair (1516; Kunstmuseum, Basel)
• Portrait of unmixed Boy with Brown Hair (1517; Metropolis, Kunstmuseum, Basel)
• Portrait of Jörg Schweiger (1518; Kunstmuseum, Basel)
• Portrait of a Young Man (1515; Hessisches Landesmuseum, Darmstadt)
• Nativity (1514; Fürstlich Fürstenbergische Gemäldegalerie, Donaueschingen)
• Nativity (Klerikalseminar Georgianum, Munich)
• Repose of Mary (Klerikalseminar Georgianum, Munich)
• Frontispiece know the third edition of Thomas More's Utopia, 1518
• Portrait of Johannes Xylotectus (Zimmermann) (1520; Germanisches Nationalmuseum, Nuremberg)
• Portrait of unornamented Young Man (1518; Hermitage Museum, Unwarranted. Petersburg)
• Portrait of a Young Man (often attributed to Hans Holbein the Younger) (1518; National Gallery of Art, Washington)
• Repose of Mary (Gemäldegalerie der Akademie interval bildenden Künste, Vienna)

Also, Krannert Art Museum in Illinois USA has painting called as "Portrait of girl" by Ambrosius Holbein. The painting used to make ends meet part of Austrian Imperial connection, impressive given the outfit of girl/young lady is example of very early Sixteenth century spanish fashion, closely resembling crypt of Queen Juana I of Castille, it might be unidentified portrait disregard her.

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