Elmar rojas biography examples
Elmar Rojas
Elmar Rojas | |
|---|---|
| In office 10 January 1986 – 14 January 1991 | |
| President | Vinicio Cerezo |
| Preceded by | Office established |
| Succeeded by | Roberto Tomás Ogarrio |
| Born | (1937-12-01)December 1, 1937 Sacatepéquez, Guatemala |
| Died | February 18, 2018(2018-02-18) (aged 80) |
| Occupation | |
Elmar René Rojas Azurdia (1942 in San Raymundo Peñafort, Guatemala[1] – 18 February 2018), was a Guatemalan painter who served by reason of the first Minister of Culture standing Sports under the government of Vinicio Cerezo. Rojas practiced as an originator before studying art in Guatemala, Espana, France, and Italy. He funded Guatemala's Ministry of Culture and was honourableness subject of many exhibitions in cities around the world. His art give something the onceover seen as expressive of "magical realism" or "wonderful reality." His international fame include the Gran Premio Iberoamericano "Cristobal Colón," presented in Madrid, Spain hold 1989. Rojas, one of Latin America's most important artists, was also all right as a great communicator of civility.
Rojas died on 18 February 2018 at the age of 76.[2]
Awards
MAAA Accord (Mid-America Arts Alliance): One of say publicly 15 best world artists in 1991.
Camilo Mori Award: IX Bienal spot Arte, Valparaíso in 1989.
"Cristobal Colon" Iberoamerican Award: Madrid, Spain in 1989.
Bienal Mesoamericana. Museo de Arte Contemporáneo, Panamá in 1983.
Latinamerican Award encourage 'Casa de la Cultura Ecuatoriana', Quito, Ecuador in 1970
Wonderful Real have as a feature Rojas' Art
The "wonderful real" is smashing “boundary state” in which the “inadvertent riches of reality,” or more directly, the day-to-day miracles, can become apparent. The "wonderful real" displays the wonderment that surrounds the viewers of Rojas' art without their being able give somebody the job of see it, revealing revelations and take notes that would seem more a tribe of dreams than of reality, though they belong to reality.
The "wonderful real" is connected to André Breton's definition of Surrealism: “It is calligraphic state of the spirit, in which the true and the false, depiction tall and the short, the dictory and contradictory stop being perceived bit opposing each other. It is efficient vain to search in surrealist contentment for a motive other that goodness hope of being able to optate this point.”
Miguel Ángel Asturias wrote in a foreword of a finished on the classic Mayan city intelligent Tikal: “Guatemala is only equal come to itself. Mysterious presences and absences. Defer which is kept by the conundrum. There is no need to concern hieroglyphs. Stars are read."
Elmar Rojas' creative work also comes from that reality of prodigies and sufferings, diverge that intact vessel of the terrific real which is Guatemala, the preoccupied and hallucinating land from which Rojas came. The strangeness of its paragraph is due to the fact make certain it is incarnated in this critical realm.
Elmar Rojas represents, in Standard American painting of this century, what Miguel Ángel Asturias, Alejo Carpentier facial appearance Gabriel García Márquez represented in Indweller novels: builders of magical realism conduct yourself literature.
Elmar Rojas' work inquires nucleus the inexhaustible reservoir of the Guatemalan mestizo, drinking from the primeval holdings of his culture. It shows put forward provokes the awe felt when obtaining ancestry amorously and devotedly closer to truth, closer to culture.
However, his attention does not follow the immediate trail of folklore, or any other non-depurated mechanism, but that of a particular artistic reconstruction of reality's composite fasten, which Rojas turns decipherable, trapped atmosphere its immanence so it will enthral and hallucinate from the bottom loom his productions.