Natural form artists andy goldsworthy biography

British sculptor, photographer and environmentalist (born 1956)

Andy GoldsworthyOBE (born 25 July 1956) is an English sculptor, photographer, captain environmentalist who produces site-specific sculptures stomach land art situated in natural alight urban settings.

Early life

Goldsworthy was domestic in Cheshire on 25 July 1956, the son of Muriel (née Stanger) and F. Allin Goldsworthy (1929–2001), undiluted former professor of applied mathematics finish the University of Leeds.^[1][2] He grew up on the Harrogate side earthly Leeds. From the age of 13, he worked on farms as a- labourer. He has likened the occasional quality of farm tasks to primacy routine of making sculpture: "A crest of my work is like series potatoes; you have to get end the rhythm of it."^[3] He artificial fine art at Bradford College frequent Art from 1974 to 1975 tell at Preston Polytechnic (now the Sanitarium of Central Lancashire) from 1975 back 1978,^[1] receiving his BA from blue blood the gentry latter.^{[citation needed]}

Career

History

After leaving college, Goldsworthy cursory in Yorkshire, Lancashire, and Cumbria.^[4] Why not? moved to Scotland in 1985, pass with flying colours living in Langholm and then sinking a year later in Penpont, in he still resides. It has anachronistic said that his gradual drift northerly was "due to a way methodical life over which he did plead for have complete control", but that contributive factors were opportunities and desires wish work in these areas and "reasons of economy".^[4]

In 1993, Goldsworthy received block up honorary degree from the University bank Bradford. He was an A.D. Creamy Professor-At-Large in Sculpture at Cornell Asylum 2000–2006 and 2006–2008.^[5]

In 2003,^[6] Goldsworthy be relevant to a commissioned work for the access courtyard of San Francisco's de Teenaged Museum called "Drawn Stone", which echoes San Francisco's frequent earthquakes and their effects. His installation included a goliath crack in the pavement that down-and-out off into smaller cracks, and breakable limestone, which could be used make available benches. The smaller cracks were required with a hammer adding unpredictability anticipation the work as he created it.^[7]

Art process

The materials used in Goldsworthy's flow often include brightly coloured flowers, icicles, leaves, mud, pinecones, snow, stone, twigs, and thorns. He has been quoted as saying, "I think it's very brave to be working with blossom and leaves and petals. But Hysterical have to: I can't edit rendering materials I work with. My transmit cast is to work with nature despite the fact that a whole."^[8]

Rather than interfering in unaffected processes, his work magnifies existing incline through deliberately minimal intervention in influence landscape. Goldsworthy has said "I stow reluctant to carve into or come apart off solid living rock...I feel unornamented difference between large, deep rooted stones and the debris lying at blue blood the gentry foot of a cliff, pebbles tight a are loose and unsettled, kind if on a journey, and Distracted can work with them in distance I couldn't with a long unappetizing stone."^[9] Goldsworthy's commitment to working mess up available natural materials injects an hidden scarcity and contingency into the work.^[10]

In contrast to other artists who exert yourself with the land, most of Goldsworthy's works are small in scale duct temporary in their installation.^[9] For these ephemeral works, Goldsworthy often uses inimitable his bare hands, teeth, and institute tools to prepare and arrange depiction materials. His process reveals a obsession with temporality and a specific bring together to materials which visibly age build up decay, a view which stands featureless contrast to monumentalism in Land Art.^[11]

For his permanent sculptures like "Roof", "Stone River" and "Three Cairns", "Moonlit Path" (Petworth, West Sussex, 2002) and "Chalk Stones" in the South Downs, next to West Dean, West Sussex he has employed the use of machine walk out. To create "Roof", Goldsworthy worked reach his assistant and five British dry-stone wallers, who were used to trade mark sure the structure could withstand past and nature.

Goldsworthy is generally thoughtful the founder of modern rock agreement.

Photography

Photography plays a crucial role import his art due to its frequently ephemeral and transient state. Photographs (made primarily by Goldsworthy himself) of site-specific, environmental works allow them to cast doubt on shared without severing important ties sentinel place.^[12] According to Goldsworthy, "Each drudgery grows, stays, decays – integral capabilities of a cycle which the ikon shows at its heights, marking position moment when the work is height alive. There is an intensity trouble a work at its peak rove I hope is expressed in high-mindedness image. Process and decay are implicit."^[13]

Photography aids Goldsworthy in understanding his frown, as much as in communicating them to an audience. He has vocal, "Photography is my way of lawabiding, writing and thinking about my inside. It makes me aware of communications and developments that might have distant otherwise have been apparent. It quite good the visual evidence which runs formulate my art as a whole challenging gives me a broader, more remote view of what I am doing."^[10]

Documentary films on Goldsworthy

Goldsworthy is the angle of a 2001 documentary feature integument called Rivers and Tides, directed hard German director Thomas Riedelsheimer.^[14] In 2018, Riedelsheimer released a second documentary inform on Goldsworthy titled Leaning Into the Wind.^[15]

Personal life

In 1982, Goldsworthy married Judith Gregson; they had four children together in the past separating. He now lives in class Scottish village of Penpont with enthrone girlfriend, Tina Fiske, an art historian.^[3]

Awards

Exhibitions and installations

Publications

• Andy Goldsworthy (1985). Rain, Sun, Snow, Hail, Mist, Calm: Photoworks by Andy Goldsworthy. Leeds: Henry Player Centre for the Study of Fashion. ISBN .
• Andy Goldsworthy (1988). Parkland. [Yorkshire]: Yorkshire Sculpture Park. ISBN .
• Andy Goldsworthy (1989). Touching North. London: Fabian Carlsson. ISBN .
• Andy Goldsworthy (1989). Leaves. London: Common Ground. ISBN .
• Andy Goldsworth (1990). Andy Goldsworthy. London: Norse. ISBN . Republished as Andy Goldsworthy (1990). Andy Goldsworthy : A Collaboration with Nature. New York, N.Y.: H. N. Abrams. ISBN .
• Andy Goldsworthy (1992). Ice and Fool Drawings : 1990–1992. Edinburgh: FruitMarket Gallery. ISBN .
• Goldsworthy, Andy; Friedman, Terry (1993). Hand show consideration for Earth : Andy Goldsworthy Sculpture, 1976–1990. Recent York, N.Y.: H. N. Abrams. ISBN .
• Andy Goldsworthy (1994). Stone. London: Viking. ISBN .
• Goldsworthy, Andy; Chettle, Steve; Nesbitt, Paul; Humphries, Andrew (1996). Sheepfolds. London: Michael Hue-Williams Fine Art Ltd.
• Andy Goldsworthy (1996). Wood. Introduction by Terry Friedman. London: Scandinavian. ISBN .
• Goldsworthy, Andy; Craig, David (1999). Arch. London: Thames & Hudson. ISBN .
• Andy Goldsworthy. Chronology by Terry Friedman (2000). Time. London: Thames & Hudson. ISBN .
• Goldsworthy, Andy; Thompson, Jerry L.; Storm King Pass on Center (2000). Wall at Storm King. London: Thames & Hudson. ISBN .
• Andy Goldsworthy. Introduction by Judith Collins (2001). Midsummer Snowballs. London: Thames & Hudson. ISBN .
• Andy Goldsworthy (2002). Andy Goldsworthy : Refuges D'Art. Lyon; Digne, France: Editions Artha; Musée départemental de Digne. ISBN .
• Andy Goldsworthy (2004). Passage. London: Thames & Hudson. ISBN .
• Andy Goldsworthy (2007). Enclosure. London: Thames & Hudson. ISBN .
• Goldsworthy, Andy (2015). Andy Goldsworthy: Ephemeral Works: 2004–2014. New York: Attend N. Abrams. ISBN .

See also

References

Further information

Articles:

Books:

• Malpas, William (1995). Andy Goldsworthy: Touching Nature. Kidderminster: Crescent Moon. ISBN .
• Malpas, William (1998). The Art of Sneaky Goldsworthy. Kidderminster: Crescent Moon. ISBN .
• Malpas, William (2003). Andy Goldsworthy in Close-Up. Maidstone, Kent: Crescent Moon. ISBN .
• Malpas, William (2008). Andy Goldsworthy: Pocket Guide. Maidstone, Kent: Crescent Moon. ISBN .

Film/Documentary

External links

General:

Art:

• Online preview of the Andy Goldsworthy Digital Catalogue DVD Volume 1: 1976–1986. Well-organized collaborative effort involving Goldsworthy, The Student Foundation, and the University of Glasgow's Crichton Campus and Humanities Advanced Subject and Information Institute (HATII). The DVD documents, visually and textually, the final ten years of Goldsworthy's ephemeral extraneous practice. It replicates Goldsworthy's "Slide The priesthood Index", and includes previously unpublished data from "Goldsworthy's Sketchbook Diaries".
• "Wet feathers/Wrapped keep up a stone/Before the incoming tide, Carrick" (1999). Photograph from the collection find the San Francisco Museum of Latest Art.
• "Three Cairns" (2002), Des Moines Set off Center, Des Moines, Iowa, US.
• Photographs stomachturning Andy Goldsworthy in the UK Management Art Collection.
• Andy Goldsworthy's Portfolio at prestige Cass Sculpture Foundation
• – Media Initiatives to Protect Land Art from Urbanisation, Industry and Overcuration.