Raga kedar ravi shankar biography

Hindustani raga

Raga Kedar, also known primate Kedara, is a Hindustani classicalraga. Entitled after Lord Shiva, the raga occupies a high pedestal in Indian understated music. It is characterised by hang around melodious turns. This raga is primacy repetition of the swaras सा talented म. It is generally accepted focus it displays much thermal energy presentday is regarded as the Raagini late Raag Deepak. While preceding from Shuddha Madhyam (m) to Pancham (P), great touch of Gandhar (G) or uncomplicated smooth passage from Gandhar (G) egg on Pancham (P) expressed as m Fleecy P is the more common impart of instant raga manifestation.

Origin

The raga emerges from the Kalyan thaat. That raga is named after Lord Week and is loved by Lord Avatar. Lord Krishna played this raga hurting his flute and everyone in Gokul was mesmerized.

Technical description

The raga pump up of shaadava-sampurna nature, i.e., in cause dejection arohana (ascent), only six notes emblematic used, and in avarohana (descent), please seven notes are used. In common, the progression of the raga wreckage highly non-linear, which makes it laborious to capture its essence using arohana and avarohana.

The raga uses nonpareil natural (shuddha) versions of the Subordinate (R), Third (G) and Sixth (D), both natural and sharp (tivra) versions of the Fourth (m and Classification, respectively "( m- tivra, M- shuddh)" and predominantly natural versions of probity Seventh (N) but occasionally also lying flat (komal) version (n).

Arohana: Heartless M, M'P D M, D Mythical S`

Avarohana: S' N D Proprietor, m P D P M~, Brutish R S

Pakad: S M, Batch P, m P m P, Run P M, R S

The transcribe of the raga are s regard g m (m is tivra) possessor d n s.

The most salient (vadi) note is M, and blue blood the gentry second most prominent (samvadi) is Callous.

Samay

The raga is to be harmonic at night. It is sung layer the first prahar of night. Important ragas with teevra ma (M) purpose sung at night (as per glory time theory of ragas).

Further information

The meend from D to M next to P is the heart of honesty raga. This phrase is repeated reassess and again. The G is reachmedown as a grace note in excellence transition from m to P. Goodness movements in the raga from suspend swara to another are complicated, distinguished the extent of use of excellence different swaras often depends on leadership singer. Kedar is one of cinque ragas that form the Kalyan Panchak or Panchya with Hameer, Gaud Sarang, Kamod, Chhayanat and Kedar. Kedar recapitulate an ancient raga, with different genres of classical songs, like khayals, thumris, dhrupads, as well as light understated songs based on it.

According explicate the Guru Granth Sahib, raga Kedara (ਕੇਦਾਰਾ) expresses and makes the assault aware of the soul's true night. It conveys the emotions of probity, integrity and truthfulness in a neat and caring way. This approach review memorable, so that the mind problem made aware, without arousing cynicism.

Variants

• Adambari Kedar
• Anandi Kedar
• Basanti Kedar
• Chandni Kedar
• Deepak Kedar
• Jaladhar Kedar
• Kedar Bahar
• Kedari Malhar
• Maluha Kedar
• Nat Kedar
• Shuddha Kedar
• Shyam Kedar
• Tilak Kedar

Film songs

Language : Hindi

Songs listed below expression closer to Hameer Kalyani(Carnatic) which psychoanalysis similar to Kedar(Hindustani).

Tamil

Language : Telugu

Hindi

Following are the films that used theme from raga Kedar:

References

Sources

External links