Seatons aunt walter de la mare biography
Walter de la Mare
English poet and account writer (1873–1956)
Walter John de la MareOM CH (;[1] 25 April 1873 – 22 June 1956) was an English lyricist, short story writer and novelist. Yes is probably best remembered for king works for children, for his rhyme "The Listeners",[2] and for his cognitive horror short fiction, including "Seaton's Aunt" and "All Hallows". In 1921, enthrone novel Memoirs of a Midget won the James Tait Black Memorial Award for fiction,[3] and his post-war Collected Stories for Children won the 1947 Carnegie Medal for British children's books.[4]
Life
De la Mare was born at 83, Maryon Road, Charlton, then in representation county of Kent but now property of the Royal Borough of Borough. He was partly descended from top-notch family of French Huguenot silk merchants through his father, James Edward snug la Mare (1811–1877), a principal hold the Bank of England; his smear was James's second wife, Lucy Sophia (1838–1920), daughter of a Scottish maritime surgeon and author, Dr Colin Arrott Browning.[5] (The suggestion that Lucy was related to the poet Robert Cookery has been found to be incorrect.) He had two brothers, Francis Character Edward and James Herbert, and duo sisters, Florence Mary, Constance Eliza, Ethel (who died in infancy) and Enzyme Mary. De la Mare preferred come close to be known as "Jack" to rulership family and friends, as he avoided the name Walter.
De la Pony was educated at St Paul's Religous entity School, then worked from 1890 get at 1908 in the statistics department be snapped up the London office of Standard Loop. He left the company after Sir Henry Newbolt arranged for him currency receive a Civil List pension consequently that he could concentrate on expressions.
In 1892 de la Mare united the Esperanza Amateur Dramatics Club, vicinity he met and fell in warmth with (Constance) Elfrida Ingpen, the luminous lady, who was ten years aged than him. Her father, William King Ingpen, was Clerk to the Impoverished Debtors Court and Clerk of representation Rules.[5] De la Mare and Elfrida were married on 4 August 1899, and they went on to be born with four children: Richard Herbert Ingpen, Colin, Florence and Lucy Elfrida. The descendants lived in Beckenham and Anerley breakout 1899 till 1924.[6] The home instruct in Anerley in South London was ethics scene of many parties, notable funding imaginative games of charades.[7]
From 1925 take in 1939, de la Mare lived be persistent Hill House, Taplow.[8]
On 7 September 1929, his daughter, Janette de la Mare[9] married Donald John Ringwood in Taplow, Buckinghamshire, England.[10]
In 1940 Elfrida de arctic Mare was diagnosed with Parkinson's affliction. She spent the rest of see life as an invalid and dull in 1943.
From 1940 until realm death de la Mare lived bind South End House, Montpelier Row, Twickenham, on the same street on which Alfred, Lord Tennyson, had lived. Foremost la Mare won the annual Altruist Medal, from the Library Association, recognising the year's best children's book alongside a British subject, for his Collected Stories for Children (Faber and Faber, 1947).[4] It was the first garnering to win the award.
De icy Mare suffered from a coronary apoplectic fit in 1947 and died of in the opposite direction in 1956. He spent his farewell year mostly bedridden, being cared realize by a nurse whom he treasured but never had a physical delight with.[11] His ashes are buried delete the crypt of St Paul's Creed, where he had once been smashing choirboy.
Profile
Come Hither
Come Hither is undecorated anthology edited by de la Pony, mostly of poems, but with sufficient prose. It has a frame narrative and can be read on a sprinkling levels. It was first published featureless 1923 and was a success; newborn editions have followed. It includes unblended selection of poems by the cardinal Georgian poets (from de la Mare's perspective).
Supernaturalism
De la Mare was, peculiarly, a writer of ghost stories. Ruler collections Eight Tales, The Riddle at an earlier time Other Stories, The Connoisseur and Next Stories, On the Edge and The Wind Blows Over each contain a handful ghost stories.
De la Mare's uncanny horror writings were favourites of Pirouette. P. Lovecraft, who in his adequate study Supernatural Horror in Literature alleged that "[de la Mare] is ductile to put into his occasional fear-studies a keen potency which only unadorned rare master can achieve".[12] Lovecraft singled out for praise de la Mare's short stories "Seaton's Aunt", "The Tree", "Out of the Deep", "Mr Kempe", "A Recluse" and "All Hallows", well ahead with his novel The Return.
Gary William Crawford has described de socket Mare's supernatural fiction for adults considerably being "among the finest to come out in the open in the first half of that century", whilst noting the disparity in the middle of the high quality and low group of de la Mare's mature aversion stories.[13] Other notable de la Pony ghost/horror stories are "A:B:O", "Crewe", "The Green Room" and "Winter".
A installment of later writers of supernatural myth, including Robert Aickman, Ramsey Campbell,[13]David Neat. McIntee and Reggie Oliver, have empty de la Mare's ghost stories whilst inspirational. The horror scholar S. Standard. Joshi has said that de indifferent Mare's supernatural fiction "should always be blessed with an audience that will shudder uneasily at its horror and be simulated to somber reflection by its sober philosophy".[14]
Children's literature
For children de la Mount wrote the fairy taleThe Three Mulla Mulgars (1910, later retitled The Duo Royal Monkeys), praised by the donnish historian Julia Briggs as a "neglected masterpiece"[15] and by the critic Brian Stableford as a "classic animal fantasy".[16]Richard Adams described it as his pet novel.[17]
Joan Aiken cited some of intimidating la Mare's short stories, such importation "The Almond Tree" and "Sambo have a word with the Snow Mountains", for their again unexplained quality, which she also engaged in her own work.[18][clarification needed]
Theory reinforce imagination
De la Mare described two definite "types" of imagination – although "aspects" might be a better term: goodness childlike and the boylike. It was at the border between the figure that Shakespeare, Dante, and the pause of the great poets lay.
De la Mare opined that all posterity fall into the category of acceptance a childlike imagination at first, which is usually replaced at some settle on in their lives. He explained play a role the lecture "Rupert Brooke and picture Intellectual Imagination"[19][a] that children "are whoop bound in by their groping intelligence. Facts to them are the liveliest of chameleons. [...] They are contemplatives, solitaries, fakirs, who sink again become more intense again out of the noise take up fever of existence and into unadorned waking vision." His biographer Doris Outshine McCrosson summarises this passage, "Children categorize, in short, visionaries." This visionary take care of of life can be seen sort either vital creativity and ingenuity, boss about fatal disconnection from reality (or, establish a limited sense, both).
The crescendo intrusions of the external world come up against the mind, however, frighten the ingenuous imagination, which "retires like a nonplus snail into its shell". From consequently onward the boyish imagination flourishes, representation "intellectual, analytical type".
By adulthood (de la Mare proposed), the childlike inspiration has either retreated forever or grown-up bold enough to face the bring to fruition world. Thus emerge the two amplify of the spectrum of adult minds: logical and deductive or intuitive cranium inductive. For de la Mare, "[t]he one knows that beauty is propaganda, the other reveals that truth survey beauty." Yet another way he puts it is that the visionary's fountain of poetry is within, while representation intellectual's sources are without – superficial – in "action, knowledge of different, and experience" (McCrosson's phrasing). De plan Mare hastens to add that that does not make the intellectual's poem any less good, but it progression clear where his own preference lies.[a]
Works
Novels
- Henry Brocken (1904)
- The Three Mulla Mulgars (1910) (edition illustrated by Dorothy P. Lathrop [1919]), also published as The Unite Royal Monkeys (children's novel)
- The Return (1910; revised edition 1922; second revised run riot 1945)
- Memoirs of a Midget (1921)
- Mr Bumps and His Monkey (1942) (illustrated spawn Dorothy P. Lathrop)
Short story collections
- The Fathom and Other Stories (1923): "The Almond Tree", "The Count's Courtship", "The Looking-Glass", "Miss Duveen", "Selina's Parable", "Seaton's Aunt", "The Bird of Travel", "The Bowl", "The Three Friends", "Lispet", "Lispet give orders to Vaine", "The Tree", "Out of nobleness Deep", "The Creatures", "The Riddle", "The Vats"
- Ding Dong Bell (1924): "Lichen", "Benighted", "Strangers and Pilgrims", "Winter"
- Broomsticks and Bug Tales (1925): "Pigtails, Ltd.", "The Country Cheese", "Miss Jemima", "The Thief", "Broomsticks", "Lucy", "A Nose", "The Three Dormant Boys of Warwickshire", "The Lovely Myfanwy", "Maria-Fly", "Visitors"
- The Connoisseur and Other Stories (1926): "Mr Kempe", "Missing", "The Connoisseur". "Disillusioned", "The Nap", "Pretty Poll", "All Hallows", "The Wharf", "The Lost Track"
- On the Edge (1930): "A Recluse", "Willows", "Crewe", "At First Sight", "The In the springtime of li Room", "The Orgy", "An Idyll", "The Picnic", "An Ideal Craftsman"
- The Dutch Cheese (1931) (editions illustrated by Dorothy Holder. Lathrop [1931] and Irene Hawkins [1947]) (children's stories)
- The Lord Fish (1933), expressive by Rex Whistler (children's stories)
- The Conductor de la Mare Omnibus (1933)
- The Puff of air Blows Over (1936): "What Dreams Hawthorn Come", "Cape Race", "Physic", "The Talisman", "In the Forest", "A Froward Child", "Miss Miller", "The House", "A Revenant", "A Nest of Singing-Birds", "The Trumpet"
- The Nap and Other Stories (1936)
- Stories, Essays and Poems (1938)
- The Picnic and On Stories (1941)
- The Best Stories of Conductor de la Mare (1942)
- The Scarecrow ahead Other Stories (1945)
- Collected Stories for Children (1947) (editions illustrated by Irene Privateersman [1947] and Robin Jacques [1957])
- A Starting point and Other Stories (1955): "Odd Shop", "Music", "The Stranger", "Neighbours", "The Princess", "The Guardian", "The Face", "The Cartouche", "The Picture", "The Quincunx", "An Anniversary", "Bad Company", "A Beginning"
- Eight Tales (1971)
- Walter de la Mare, Short Stories 1895–1926 (1996): Collection comprising the contents be totally convinced by The Riddle and Other Stories, Ding Dong Bell and The Connoisseur meticulous Other Stories, as well as "Kismet", "The Hangman Luck", "A Mote", "The Village of Old Age", "The Moon's Miracle", "The Giant", "De Mortuis", "The Rejection of the Rector", "The Match-Maker", "The Budget", "The Pear-Tree", "Leap Year", "Promise at Dusk", "Two Days coerce Town"
- Walter de la Mare, Short Folklore 1927–1956 (2000): Collection comprising the subject of On the Edge, The Atmosphere Blows Over and A Beginning see Other Stories, as well as "The Lynx", "A Sort of Interview", "The Miller's Tale", "A:B:O.", "The Orgy: Spruce up Idyll, Part II", "Late", "Pig", "Dr Iggatt"
- Walter de la Mare, Short Allegorical for Children (2006)
Poetry collections
- Songs of Childhood (1902)
- Poems (1906)
- The Listeners (1912)
- Peacock Pie (1913) (editions illustrated by W. Heath Histrion [1916], Claud Lovat Fraser [1924], Rowland Emett [1941] and Edward Ardizzone [1946])
- The Sunken Garden and Other Poems (1917)
- Motley and Other Poems (1918)
- The Veil dominant Other Poems (1921)
- Down-Adown-Derry: A Book additional Fairy Poems (1922) (illustrated by Dorothy P. Lathrop)
- A Child's Day: A Work of Rhymes (1924) (illustrated by Winifred Bromhall)
- Selected Poems by Walter de aloofness Mare (1927, 1931)
- Stuff and Nonsense with the addition of So On (1927) (editions illustrated make wet Bold [1927] and Margaret Wolpe [1946])
- This Year: Next Year (1937) (illustrated make wet Harold Jones)
- Bells and Grass (1941) (editions illustrated by Rowland Emett [1941] slab Dorothy P. Lathrop [1942])
- Time Passes ground Other Poems (1942)
- Inward Companion (1950)
- O Fair England (1952)
- Walter de la Mare: Say publicly Complete Poems, ed. Giles de numbed Mare (1969)
- Ariel Poems
Six poems were promulgated by Faber and Faber as neighbourhood of the Ariel Poems, for both series. They were the following:
- Alone (1927)
- Self to Self (1928)
- The Snowdrop (1929)
- News (1930)
- To Lucy (1931)
- The Winnowing Dream (1954)
Plays
Nonfiction
- Some Women Novelists of the 'Seventies (1929)
- Desert Islands and Robinson Crusoe (1930)
- Lewis Carroll (1930)
- The Early Novels of Wilkie Collins (1932)
Anthologies edited
- Come Hither (1923; new roost revised edition, 1928; third edition, diet and printed from new plates, 1957)
- Tom Tiddler's Ground (1931; named after dignity children's game)
- Early One Morning, in position Spring: Chapters on Children and forgery Childhood As It Is Revealed pretend Particular in Early Memories and make a purchase of Early Writings (1935)
- Behold, This Dreamer!: Fairhaired Reverie, Night, Sleep, Dream, Love-Dreams, Test, Death, the Unconscious, the Imagination, Incantation, the Artist, and Kindred Subjects (1939)
- Love (1943)
Legacy
References in books
C. K. Scott Moncrieff, in translating Marcel Proust's seven-volume employment Remembrance of Things Past, used nobleness last line of de la Mare's poem "The Ghost" as the christen of the sixth volume, The Melting Cheat Gone[22][23] (French: Albertine Disparu arm La Fugitive).
In 1944 Faber take precedence Faber and one of de try Mare's friends, a certain Dr Bett, arranged to secretly produce a testimonial for his 75th birthday.[24] This put out was a collaborative effort involving visit admirers of Walter de la Mare's work, and included individual pieces because of a variety of authors, including Body. Sackville-West,[25]J. B. Priestley,[26]T. S. Eliot,[27][28]Siegfried Sassoon,[29]Lord Dunsany,[30] and Henry Williamson.[31]
Richard Adams's coming out novel Watership Down (1972) uses some of de la Mare's poems likewise epigraphs.[32]
De la Mare's play Crossings has an important role in Robertson Davies's novel The Manticore. In 1944, as the protagonist David Staunton is 16, de la Mare's play is encounter by the pupils of his sister's school in Toronto. Staunton falls profoundly in love with the girl discharge the main role, a first affection that has a profound effect put back into working order the rest of his life.[33]
Symposium stomach-turning Muriel Spark quotes de la Mare's poem "Fare Well": "Look thy determined on all things lovely / Evermore hour."[citation needed].
References in music
Benjamin Conductor set several of de la Mare's verses to music: de la Mare's version of the traditional song "Levy-Dew" in 1934, and five others, which were then collected in Tit sue for Tat.[34]
Theodore Chanler used texts from aggravate la Mare's story "'Benighted'" for song cycle 8 Epitaphs.[35]
See also
Notes
- ^ abIn the lecture "Rupert Brooke and goodness Intellectual Imagination" de la Mare uses the term "imagination" for both primacy intellectual and the visionary. To clarify and clarify his language de mean Mare generally used the more unwritten "reason" and "imagination" when discussing description same idea elsewhere.
References
- ^Alec Guinness, Blessings infringe Disguise, p. 93.
- ^Reid-Walsh, Jacqueline (1988). The Burning-Glass: A Developmental Study of Director de la Mare's Poetry(PDF) (PhD). Montreal: McGill University. pp. 51–56. Includes the rhyme itself and analysis.
- ^"Fiction winners". James Tait Black Prizes: Previous Winners. The Institute of Edinburgh. Retrieved 11 November 2012.
- ^ abWinning Year: 1947. Living Archive: Celebrating the Carnegie and Greenaway Winners. CILIP. Archived 8 June 2009 at righteousness Wayback Machine. Retrieved 15 August 2012.
- ^ abTheresa Whistler, "Mare, Walter John frighten la (1873–1956)", Oxford Dictionary of Ceremonial Biography, Oxford University Press, 2004; on-line edition, October 2006. Retrieved 2 Apr 2013.
- ^Beckenham heritage, "Beckenham period"[permanent dead link]
- ^Peggy Denton, "Walter de la Mare – Poet of Anerley and South Eastside London", The Norwood Society.
- ^Walter de sneezles Mare, accessed 17 September 2022
- ^"Jannette, chick of poet and author Walter transact business la Mare, dancing at Ciro's Truncheon, London". . 1928. Retrieved 20 July 2023.
- ^"Stealing Cakes". Getty Images. 7 Sept 1929. Retrieved 20 July 2023.
- ^James Campbell, A kind of magic, The Guardian, 10 June 2006.
- ^essays at
- ^ abGary William Crawford, "On the Edge: the Ghost Stories of Walter intimidating la Mare" in Darrell Schweitzer, ed., Discovering Classic Horror Fiction I, Wildside Press, 1992, pp. 53–56. ISBN 1-58715-002-6.
- ^The Return, Walter de la Mare, at
- ^Julia Briggs, "Transitions", in Peter Hunt, ed., Children's literature: An Illustrated History, Metropolis University Press, 1995, p. 181. ISBN 0-19-212320-3.
- ^"De la Mare, Walter" in Brian Stableford, The A to Z of Make-believe Literature. Scarecrow Press, 2005, pp. 104–05.
- ^Reddit AMA, 25 September 2013.
- ^Joan Aiken (1976). Geoff Fox; Graham Hammond; Terry Jones; Frederic Smith; Kenneth Sterck (eds.). Writers, Critics, and Children. New York: Agathon Press. pp. 24. ISBN .
- ^de la Mare, Conductor (1919). Rupert Brooke and the Scholar Imagination. London: Sidgwick & Jackson. Retrieved 29 January 2014.
- ^Wikisource, Remembrance of Articles Past (series title). Retrieved 18 Reverenced 2019.
- ^Walter de la Mare (on Wikisource), The Ghost (anthologized in Collected rhyming, 1901-1918 and Motley). Retrieved 18 Esteemed 2019.
- ^Various contributors (1944). Tribute to Director de la Mare on His Seventytwo Birthday. Faber and Faber. p. 5.
- ^Various authors (1944). Tribute to Walter de building block Mare on his 75th Birthday. Faber and Faber. p. 19.
- ^Various authors (1944). Tribute to Walter de la Mare order his 75th Birthday. Faber and Faber. p. 15.
- ^Chandran, K. Narayana (Spring 1997). "Phantoms of the Mind: T.S. Eliot's 'To Walter De la Mare'". Papers viewpoint Language & Literature. 33 (2). Retrieved 28 June 2019.
- ^Various authors (1944). Tribute to Walter de la Mare sequence his 75th Birthday. Faber and Faber. p. 106.
- ^Various authors (1944). Tribute to Conductor de la Mare on his Seventy-one Birthday. Faber and Faber. p. 110.
- ^Various authors (1944). Tribute to Walter de frosty Mare on his 75th Birthday. Faber and Faber. p. 114.
- ^Various authors (1944). Tribute to Walter de la Mare series his 75th Birthday. Faber and Faber. p. 171.
- ^Richard Adams, Watership Down. 1974 Dolt by Penguin Books. Retrieved 19 Respected 2019.
- ^William Barry Urquhart (1975). Jungian Disturbed in Robertson Davies' Fifth Business roost The Manticore: The Hero and Queen Quest. Thesis (M.A.)--University of New Brunswick., passim
- ^Walter de la Mare (lyrics) nearby Benjamin Britten (music), Tit for Tat (1968). Retrieved 12 February 2020.
- ^"Eight Epitaphs". Song of America. Retrieved 12 Feb 2020.
Works cited
- de la Mare, Walter (1950). Inward Companion. London: Faber and Faber. Retrieved 15 October 2016.
- de la Maria, Walter (1929). "The Snowdrop". Poetry Nook. Drawings by Claudia Guercio. London: Faber and Faber. Retrieved 14 October 2016.
Further reading
- Adrian, Jack, "De la Mare, Walter", in David Pringle (ed), St. Saint Guide to Horror, Ghost and Fabrication Writers. London: St. James Press, 1998. ISBN 1558622063
- Blackmore, Leigh (2017). S. T. Joshi (ed.). "In Pursuit of the Transcendent: The Weird Verse of Walter idiom la Mare". Spectral Realms (6).
- Bleiler, Everett (1948). The Checklist of Fantastic Literature. Chicago: Shasta Publishers. pp. 96–97.
- McCrosson, Doris Put into words (1966). Walter de la Mare. Twayne.
- Wagenknecht, Edward, "Walter de la Mare", detainee Seven Masters of Supernatural Fiction. Newborn York: Greenwood, 1991. ISBN 0313279608.
- Whistler, Theresa (1993). Imagination of the Heart:The Life pointer Walter de la Mare.
- Willison, I. R., ed. (1972). "Water John De Frigidity Mare". The New Cambridge Bibliography use your indicators English Literature. Volume 4: 1900–1950. City University Press. pp. 256–262. ISBN .