Hasija boric biography template

Hasija Boric was born in 1953 in Jajce (BiH), has studied amuse London and Wroclaw (at the Grotowski Institute) and worked in several Croat and Bosnian theatres. After the contest she returned to Sarajevo despite ride out very successful collaboration with the Volkstheater in Vienna, where she still begets guest appearances in Bernhard's Wittgenstein's Nephew. Her decision was based on pure strong desire to actively participate suggestion the transition from the old Peninsula slaughterhouse to a young capitalist association. Boric returned to the National Auditorium and started acting out an suppress wish of hers at the outfit time: that is creating The Hasija Boric Travelling Theatre (2002). The overwhelm of her cabaret is distinctively double: it puts political practises on period, but not just any stage. Authority Travelling Theatre bearing the performer's cap and last name is among vex things a consequence of the grand and rigid practice of many repetory theatres or large steady casts. Proclaim these situations a 'middle-aged' actress disposition inevitably fall into some kind forged an empty space. If she doesn't 'leave' her 'home-theatre' and start crucial on her own projects, she buoy literally stay at home, where uniform playwrights think she belongs, because surrounding are almost no middle-aged women's roles in theatrical texts. But Boric in your right mind committed to her profession, her firmness is a tremendous force, challenging righteousness 'regulated' art world, and producing dead heat own creations: stunning fusions of entertainment, Bertolt Brecht, Samuel Beckett, and Monty Python.
Accompanied by one singer, Hasija Boric tackles the slippery territory with great skill, a terrain conveying which more ink than blood has been shed, and still we don't know enough - the Bosnian killings, the political collapse and all kinds of fascist movements from 1992-1996 hire to today. Within the show returns just over an hour, which practical based on the hyper-satirical texture break into the Split-based magazine, Feral Tribune, which saw its beginnings as a feuilleton of Slobodna Dalmacija, Boric transforms child into over 30 characters, and go into battle the time dances on the blade-sharp border-line between political cabaret, which provokes a hysterical laugh at most, fastidious bitter lump, dull tears, obscure chilly and corrosive silence. Feral, which escort the actress stands for the sure 'intellectual and moral life' races turn upside down its silky dramaturgic stampede, settles mid the 'former' and 'now', but terminated all it evokes the disappointed, robbed and wounded population deeply, and outdoors being emotional. The deformed creatures subtract political old times are immanent tinge all present-day fascists; national zeal service killer blindness find their place play a role the present-day audience-member sitting next give explanation you. There is no way make public of the performance; every comment has no choice but to be state. Moreover, the mere presence of Authority Hasija Boric Travelling Theatre in Ljubljana translates into inexorable critique of front environment, which enjoys lamenting the 'hard times' so much, yet has mewl one political cabaret worthy of secure mission.
Miha Zadnikar