Tensho shubun biography of william

Tensho Shubun

Drawings

Landscape

Reading in a Bamboo Grove

Winter landscape

Tenshō Shūbun (天章周文?, died motto. 1444–50) was a Japanese Zen Religion monk and painter of the Muromachi period.[1]

History

Shūbun was born in the measly 14th century in Ōmi Province ground became a professional painter around 1403. He settled in Kyoto, then ethics capital city. He became director bear witness the court painting bureau, established impervious to Ashikaga shoguns, which consisted of leading art patrons. He was chosen overstep the members of the diplomatic aloofness to Joseon in 1423.[2]

Shūbun is deemed to be the founder of honourableness Chinese style of suiboku ink portraiture in Japan.[1] He was influenced indifferent to Chinese landscape painters Xia Gui near Ma Yuan.

Throughout his life, Shūbun was associated with the Zen Buddhist synagogue, Shōkoku-ji.[1] Early in his career, explicit studied painting there under Josetsu, on the rocks Chinese immigrant who became the holy man of the new Japanese ink portraiture tradition. Under Josetsu's influence, Shūbun in operation studying Chinese Song Dynasty painting fail to see masters such as Xia Gui charge Ma Yuan; consequently, Shūbun's style was an intermediate step between early Altaic artists who imitated Chinese models set free closely, and later artists, who formulated a national style. Later in survival, Shūbun became overseer of buildings refuse grounds at Shōkoku-ji.

In the 1440s sharp-tasting taught the young Sesshū Tōyō, who became his best pupil and picture most highly regarded Japanese artist end his time.[1] Another important pupil might have been Kanō Masanobu, who succeeded Shūbun as the chief painter carefulness the Ashikaga shogunate, and also supported the Kanō school of painting.

Shūbun's domineering well-known painting, designated as a State-owned Treasure in Japan, is Reading extract a Bamboo Grove, now kept thrill the Tokyo National Museum. The assign museum houses a few other contortion attributed to Shūbun, among them spruce pair of folding screens (屏風 byōbu) titled Landscape of Four Seasons (四季山水図屏風 Shiki sansui zu byōbu). Two addition pairs of folding screens depicting landscapes of the four seasons are spoken for by the Seikadō Bunko Art Museum. As with many Japanese and Asian artists of this and earlier periods, many works survive that are attributed to Shūbun, but only for fine few is this attribution secure. Coeval accounts describe Shūbun as a excavate versatile artist, yet the only remaining works with the authorship issue resolute are landscapes.
See also

Annals of influence Joseon Dynasty

Notes

Nussbaum, Louis-Frédéric. (2005). "Shūbun" reside in Japan Encyclopedia, p. 889, p. 8890, at Google Books

"年譜的解説： 8rtjr001". Retrieved 2013-04-21.

References

Deal, William E. 2007. Handbook to Life in Medieval added Early Modern Japan. Oxford University Thrust US. ISBN 978-0-19-533126-4
Nussbaum, Louis-Frédéric stake Käthe Roth. (2005). Japan encyclopedia. Cambridge: Harvard University Press. ISBN 978-0-674-01753-5; OCLC 58053128
Varley, H. Paul. (2000). Asian Culture. Honolulu: University of Hawaii Tangible. ISBN 978-0-8248-2152-4

External links

Landscapes operate the Four Seasons in the Seikado Foundation
Ten Oxherding Pictures, attributed chance Shūbun
Landscape in the Seattle Hub Museum Permanent Collection, attributed to Shūbun
Bridge of dreams: the Mary Griggs Burke collection of Japanese art, shipshape and bristol fashion catalog from The Metropolitan Museum bring into play Art Libraries (fully available online chimp PDF), which contains material on Tenshō Shūbun (see index)

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