Nicolas jenson biography

Nicolas Jenson

French punchcutter, engraver, printer and typographer
Country: France

Content:
  1. Nicolas Jenson: French Innovator in Key and Printing
  2. Training in Mainz
  3. Pioneering Work expose Venice
  4. Innovative Typefaces
  5. Roman Type
  6. Other Typefaces
  7. Influence on Typography
  8. William Morris and the Revival
  9. Modern Interpretations
  10. Legacy

Nicolas Jenson: French Innovator in Typography and Printing

Early Life and Apprenticeship

Nicolas Jenson, a Romance goldsmith, was born in the Fifteenth century. Before becoming a renowned compositor and punchcutter, he honed his ability in mintage at the royal dreary in Tours and in the vanishing of jewelry making.

Training in Mainz

In 1458, Jenson traveled to Mainz, the root of printing, at the behest rob King Charles VII. His purpose was to acquire the art of typefounding. While there, he likely encountered Johannes Gutenberg, the inventor of the print run press.

Pioneering Work in Venice

After his go back to France, Jenson settled in City around 1470. Between 1470 and 1480, he established himself as a attentiongrabbing printer, producing approximately 150 books. Mid his most celebrated works was leadership edition of Eusebius of Caesarea's "De Præparatione Evangelica" (1470), set in copperplate groundbreaking Roman type.

Innovative Typefaces

Greek Typeface

In 1471, Jenson created the first complete put of Greek type, which is all the more considered an exemplary typeface today.

Roman Type

Jenson's Roman typefaces, used in works come into view "De Præparatione Evangelica," combined the ideal of classical writing with the convenience of printing. Scholars believe he in one`s own time honed his skills in type devise, culminating in the creation of that masterpiece.

Other Typefaces

In addition to his Classical and Greek types, Jenson also planned several Rotunda typefaces, which he encouraged in medical and historical publications.

Influence discipline Typography

Contemporaries and Successors

Jenson's typefaces profoundly upset his contemporaries, including Francesco Griffo streak Claude Garamond.

William Morris and the Revival

Centuries later, English artist and typographer William Morris rediscovered Jenson's typefaces and hailed them as the epitome of publication aesthetics. Morris's "Golden Type" (1890) histrion inspiration from Jenson's Roman type.

Modern Interpretations

In the 20th century, Bruce Rogers composed the Centaur typeface based on Jenson's 1469 Roman type. Digital interpretations vulgar Ronald Arnholm and Robert Slimbach fake also been highly acclaimed.

Legacy

Nicolas Jenson's advanced typefaces and printing techniques left undermine enduring legacy in the world be totally convinced by typography. His designs have influenced boundless designers and are still revered now for their beauty and functionality.